viernes, 10 de octubre de 2014

Feminism in Shakespeare

Although it is quite difficult to determine what exactly Shakespeare’s thoughts of women were, it is possible to gist of what women were believed to be at the time Shakespeare was writing his plays: they were described to be physically, morally, and intellectually inferior to men. Moreover, they were forbidden to participate actively and publicly in any type of artistic performance: painting, singing, dancing, and ACTING. This prohibition guided the transvestite to the theater’s gates, making men perform women’s roles in different plays. However, women in Shakespeare are well known for neither fit the ideal image of women at the time, nor they correspond with the misogynist attitude towards women of those days. In fact, these extraordinary characters (Juliet in Romeo & Juliet, Portia in The Merchant of Venice, or Viola in Twelfth Night) are intelligent, witty, brave and noble, and many of them demand equality:


VIOLA There is a fair behavior in thee, captain;
And though that nature with a beauteous wall
Doth oft close in pollution, yet of thee
I will believe thou hast a mind that suits
With this thy fair and outward character.
I prithee, and I’ll pay thee bounteously,
Conceal me what I am, and be my aid
For such disguise as haply shall become
The form of my intent. I’ll serve this duke:
Thou shall present me as an eunuch to him:
It may be worth thy pains; for I can sing
And speak to him in many sorts of music
That will allow me very worth his service.
What else may hap to time I will commit;
Only shape thou thy silence to my wit.
                                                                                                          (Act I. Scene II)

PORTIA You must take your chance,
And either not attempt to choose at all
Or swear before you choose, if you choose wrong
Never to speak to lady afterward
In way of marriage: therefore be advised.
                                                                      (Act I. Scene I)

JULIET My ears have not yet drunk a hundred words
Of that tongue’s utterance, yet I know the sound:
Art thou not Romeo and a Montague?
JULIET How camest thou hither, tell me,
and wherefore?
The orchard walls are high and hard to climb,
And the place death, considering who thou art,
If any of my kinsmen find thee here.
                                                                      (Act II. Scene II)


What Shakespeare wanted to reinforce through these allusions could be described as the cradle of feminism in literature where men’s image was put at the same level of women through marriage. Moreover, the plays raise questions about hierarchy and compel the readers to reformulate their ideas or conceptions about women as protagonists of their lives and not living in the men’s shadow.   

Work Cited:

·         Shakespeare’s Twelfth Night
·         Shakespeare’s The Merchant of Venice
·         Shakespeare’s Romeo & Juliet
http://www.pubwire.com/DownloadDocs/PDFiles/SHAKESPR/TRAGEDY/RMEOJLET.PDF

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